If you do not want a return to the past, rifle in hand! To the Polish front!

If you do not want a return to the past, rifle in hand! To the Polish front! 1 2 3 4
The pins
  1. 1
    False dilemma "If you do not want a return to the past, rifle in hand!" Two choices: the Polish front or the old regime. Peace, exhaustion, and simply going home are not on the sheet.
  2. 2
    Oversimplification The past is a tavern with a lamp and two black figures staggering. Everything before 1917 becomes drink and the police.
  3. 3
    Appeal to fear On the other side of the worker, the prison gate and the striped sentry box. What waits if the Poles win is already drawn.
  4. 4
    Color and typography A worker in pure red silhouette, arms out, keeping the past and the prison apart. Red is the only color on the sheet that is not a threat.
Context

A ROSTA window of 1920 by Ivan Malyutin. The "windows" were hand-stenciled posters, often in several panels like a comic strip, pasted in the empty shop windows of Moscow and other cities and replaced every few days with the news. Mayakovsky wrote most of the verses; Malyutin and Cheremnykh drew most of the pictures. This one, from the Polish war, offers a choice between the past (the landlord with his whip) and the rifle.

For discussion
  1. The poster offers two futures. Are there only two?
  2. The ROSTA windows were replaced every few days. What does speed do to propaganda?
  3. Why draw in flat stenciled shapes rather than realistic figures?

See also

Same era, or the same techniques.

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